November 29th, 2008
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Do you have important missions that you need to accomplish at this time of year? Do you find yourself wanting to be inconspicuous in large crowds? Would you like to be able to blend with the sites of the season?
Then you need the…


Available for free download here.
Secret mission: Photograph yourself in your secret spy disguise, and upload a photo to your site, (send me a link. flickr group to come.)
*also appropriate for obligatory work & family gatherings.

November 20th, 2008
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November 18th, 2008
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Observe the street, from time to time, with some concern for system perhaps.
Apply yourself. Take your Time.
Note down the place: the terrace of a cafe near the junction of the Rue de Bac and the Boulevard Saint Germain
the time: seven o’ clock in the evening
the date: 15 May 1973
the weather: set fair
Note down what you can see. Anything worthy of note going on. Do you know how to see what’s worthy of note? Is there anything that strikes you?
Nothing strikes you. You don’t know how to see.
You must set about it more slowly, almost stupidly. Force yourself to write down what is of no interest, what is most obvious, most common, most colourless.

Georges Perec, Species of Spaces, 1997:50
a reminder that I should read perec every day from thinking about things

November 18th, 2008
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November 17th, 2008
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(an ongoing list)
1. Change the height at which you perform everyday tasks. (i.e. brush your teeth while on your knees.)
2. Look under every object you encounter for a week.
3. Wear sunglasses all day (inside and outside). Notice how it feels to take them off.
4. Alter your body somehow so as to impede your motor function slightly. i.e. tie two fingers together.
5. For one day greet everyone you encounter with “top o’ the morning to ya!”
6. Speak through a tube, (paper towel tube).
7. Move frequently used items (i.e. salt and pepper shakers) to places they are not normally found.
8. Place something small behind your ear for an entire day. See if you forget about it. (my husband does this)
9. Cut your food into new and interesting shapes. Arrange your dinner (or your table items) into a “grid” formation.
10. Exclude one vowel from all of your email.
11. For one month create all of your correspondence on an outdated form of technology. (i.e. typewriter, pen & paper, dictaphone).
12. Add something to your name. (“the 3rd”, “the great”, “the illustrious”) Alternate: Add some letters to your name but don’t tell anyone.
13. Sponsor a contest based on an everyday task. (i.e. “Contest for person whose socks stay up consistently”)

November 9th, 2008
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A reader wrote to tell me that Masanobu Fukuoka, the pioneer of natural farming, passed away recently, (a point of which I was not aware). While I am sad that he will not be around to spread more of his wisdom I believe in celebrating a long, satisfying life as his was. He was 95 years old and died peacefully at his farm. He stated in his writings that “Natural farming is not just for growing crops,” he said, “it is for the cultivation and perfection of human beings.”
I was introduced to Fukuoka’s writing by my friend Gayla Trail, and eventually tracked down a copy of “The One Straw Revolution” which was out of print at the time. You may recall this led to me writing a popular post entitled “Why gardening is the same as a career in design”, about Fukuoka’s “non-doing” methods, which I applied to my own life and art making. I also lamented the fact that the book was out of print and sent out a call to publishers to make it accessable for a new generation of readers.
an interesting sidenote: a couple of weeks ago I received a letter from an editor at New York Review of Books. She was intrigued by my post and how I had related Fukuoka’s writings to my life, and sought the book out. They enjoyed it so much that they acquired the rights and are going to be publishing a new edition this spring (may 2009). I am grateful and excited to have had a small hand in bringing this book back to the public. You can pre-order it here. (I have no stake in the book other than I think it’s message is needed in the world.)
some of Fukuoka’s words:
“The more people do, the more society develops, the more problems arise. The increasing desolation of the nature, the exhaustion of resources, the uneasiness and disintegration of the human spirit, all have been brought about by humanity’s trying to accomplish something. Originally there was no reason to progress, and nothing that had to be done. We have come to the point at which there is no other way than to bring about a “movement” not to bring anything about.”
“Why do you have to develop? If economic growth rises from 5% to 10%, is happiness going to double? What’s wrong with a growth rate of 0%? Isn’t this a rather stable kind of economics? Could there be anything better than living simply and taking it easy?

This got me thinking about the idea of “non-movement”. Our culture has be formulated on “progress” and economic gain which has proven to get us all in trouble. Relative to the adfree blog initiative I’ve been trying to brainstorm ideas for new models (ethical alternatives) of what we might term “business”. Something disconnected from profit entirely, but that still allows for creatives to forge a living. Adbusters is also exploring these ideas with their Blackspot shoes. I want to move in a whole new direction, not just repeating the existing models (non-profit, charity based,etc.) These models are fine, but still have their roots in the old economic based system. What if there was something conceptually different?
(as you may remember from the previous post non-doing does not mean “do nothing”, a quote: “when he uses the term “do-nothing” it is not meant to be taken literally, there is in fact a certain amount of work to do on his farm, but that is to say much less work than would be involved using modern techniques. In this context I interpret “do-nothing” as “do-less” or not controlling.”)
What would a non-movement look like?
-based not on progress but allowing things to exist as they are, (using what you have), instead of thinking in terms of “development” one might focus on working with existing ideas/objects/techniques/materials
-working with nature, returning things to the earth, being a part of the existing system, working with the cycles (essentially “doing the opposite” of what we have been doing)
-operating on “instinct”, trusting our nature
-could we take some of the things from the existing system and “re-purpose” them? advertising about sustainability/ideas (not selling products), creating gift economies, turning public spectacle on its head, altering public space to serve the community, technology that encourages face-to-face contact (instead of isolation and false intimacy), instead of taking financial risks (stock market), we put more value on personal risks (life changes).
-what about a movement based on “being” instead of “doing”, creating a culture of cool around sitting, being idle, mindfulness?
-a society based on “less is more”, “giving over getting”, “sharing v.s. selling”
(none of these are new ideas I realize.)
***
this is as far as I have got with my thinking, it has not manifested into a tangible concept as of yet. I know that every time I contemplate “non-movement” something in my body relaxes and takes a deep breath, I relinquish all my striving and need to accomplish/succeed. (What exactly is “success” anyway? It’s meaning is elusive, it is not something that can be easily measured.)
footnote: One of the things I learned from reading the Stephen Duncombe book, is that it is the artist’s role to re-imagine and dream about what the world can be, EVEN if we think it is not possible. ESPECIALLY if we think it is not possible. That is how change occurs.
*if you have any ideas on this line of thinking, feel free to pass them along.
surely we can change the world with our ideas.

November 7th, 2008
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sometimes I like to carry my favorite books around with me in my bag even if I don’t intend to read them. it’s as if the ideas will seep into my body somehow and influence my thinking or mood. it’s like having a friend with you all the time, someone who you can learn from or who doesn’t question your way of viewing the world. or sometimes it’s because I like looking at them.
***
Explorer is going to be translated into Chinese! i am very excited about it. I will soon have books in four different languages!
Several people have written me asking for them in spanish, so if you out there know of any great spanish publishers please send them my way. there seems to be a need.
explorer was also chosen again as a favorite by Indiebound
***
there was something else I was going to mention but I forget what it was.
if you think of it could you let me know?

November 5th, 2008
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November 4th, 2008
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November 2nd, 2008
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exploration #25
When I was in the process of writing Explorer I was several months pregnant. At a certain point I began to have early contractions which left me on bedrest for a time. The result was that I had to scale my explorations down to what I could do from bed. It was actually really interesting because I decided to set up a virtual studio and creative space in bed, complete with a large branch of a tree I had decorated with found things, cups of tea, and lots of research books around me (not ironically “the poetics of space” was one of them). It forced me to start looking at my room in much greater detail than I had previously. Every corner, shadow, piece of dust, random mark on the wall, dings in the floor, paint crack, and finger smudge, became raw material. This was not new for me to look at my surroundings in this way, but it did force me to stay in one place for a prolonged period of time so that I had no choice but to practice what I preach, (use whatever is in front of you). I had lots of time to meditate on these things, and really put into use the quote from John Cage, “If something is boring after two minutes, try it for four. If still boring, then eight. Then sixteen. Then thirty-two. Eventually one discovers that it is not boring at all.”
a beautiful lesson, non?
I have set up a new group for the book on flickr, please join if it speaks to you.


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